Thursday, July 2, 2009

Uchida Unique

I suppose I should just say it: Mitsuko Uchida is the most skillful, intelligent, eloquent and tasteful pianist performing today. I have been listening to her recordings of the late Beethoven piano sonatas, which I found quite by accident. I had long admired her recordings of the Schubert sonatas and of Mozart, and I was not entirely sure what she would do with the Beethoven. As those who have followed this site will know, I consider the last Beethoven piano sonatas to be among the greatest achievements of our civilization, and I have loved and studied them for much of my life. So when I noticed the Uchida album on the shelf, I grabbed it.

I was not disappointed; indeed, far from it. She plays these sonatas with all the power, intelligence and clarity which she brings to everything else. Unlike many female pianists, who evince delicacy of touch and finesse of technique (which are unsuited to late Beethoven), Uchida plays the sonatas with all the strength of Rudolf Serkin, all the passion of Ashkenazy, and all the precision of Glenn Gould. But more than that, she brings such intelligence and such profound understanding and original ideas to the pieces that she shows things in them of which I had been only vaguely aware before. She does not try to make them her own, as so many pianists do; I am sure she believes that the sonatas belong rightly to Beethoven. But her vision of them and the potent tastefulness of her performance are unique.

Her revelations come in very small but salient moments. The way she ends a phrase, how she approaches an idea, her manner of using pauses, silence, elongations, compressions, bring out truths in the material which only she and her special talent can expose.To hear her play the Beethoven is like hearing Olivier or Gielgud voice Shakespeare. She is meditative when she must be, masculine when the music calls for it, insightful always, and she is capable (which many pianists are not) of enunciating the spiritual content of the sonatas, which is, after all, what they are about.

Uchida, to my mind and ear, combines supreme talent with profound sensitivity; a combination of power and delicacy that is rare; above all, an intelligence and a sensibility which, it seems to me, are unique to her. She is, I think, the finest pianist of our time.

22 comments:

Anonymous said...

What do you think of Maria Yudina- http://www.mariayudina.com/ - (samples on website)? I believe her to be one of the best pianist for Beethoven.

- http://www.youtube.com/watch?v=cVP6uWKBMbk

Stephen Rivele said...

I am unfamiliar with her. I did a bit of research and learned that she died in 1970. I was speaking of pianists who are currently performing. I do admire the fact that she openly opposed the communist regime in the Soviet Union and was banned. That is a badge of honor, and an act of great bravery. I will make a point of listening to her, though according to what I have read, she was not known as an interpreter of Beethoven so much as of her contemporaries, such as Bartok and Stravinsky, who were, likewise, banned in that execrable society. Thanks for calling her to my attention.

Anonymous said...

Yes. At one point, she turned down a very very large sum of money from Stalin (who 'thought' he was in love with her), and gave it to her church- knowing that there could be serious consequences.

Her life was not an easy life- it was filled with challenges, hard challenges.

She would openly read the banned poetry during the times, and support the banned musicians- even if it meant losing her job, death, exile, etc.- which she lost her job, as a teacher at the conservatories, several times- causing her to live on the streets as a bumb, for years, of her life.

She is also noted for her Bach interpretations. She, like Beethoven, always seemed to have a very realistic approach to life.

I feel that her Beethoven, while I am no master of the piano, or classical, is phenomenal.

marie said...

Steve
Did you write Lt. Ramsey's war?

Stephen Rivele said...

Yes.

marie said...

How may I contact you separately?
Marie

Stephen Rivele said...

faranj@hotmail.com

Anonymous said...

I sent you an email.
Marie

Stephen Rivele said...

It may have gone into the junk mail and been deleted. Please try again.

SR

trixie jean said...

You put up a profile picture! It's a good one...these days, I never get to actually see you without your sunglasses.

Stephen Rivele said...

I knew I forgot something...

Anonymous said...

I resent the email. Subject is WWII.
Nice to see a photo of you now with a beard and mustache.
Marie

Stephen Rivele said...

I think I did receive your email and inadvertently erased it. So could you please re-send it.

Also, I don't believe there is a photo of me without a beard and mustache.I've had them since I was twenty.

Stephen Rivele said...

Generally when I receive an email in the junk box from someone whose name I do not recognize, I delete it. Could you please tell me how your message is labeled, so that I will not do so again?

Anonymous said...

Subject is WWII. Hope you got the email.
Marie

Stephen Rivele said...

No, I did not; I erased it since I didn't recognize the name. Sorry. Please resend.

Stephen Rivele said...

Marie,

I am sure I inadvertently erased your WWII email, and I feel terrible about that. So please send it to me again as I'd like to read and respond to it.

SR

Anonymous said...

How did you come out with Yudina? Have you listened to anymore of her playing?

Stephen Rivele said...

Yes, she's quite wonderful, Thanks.

Anonymous said...

Glad that you enjoy her playing. It is such a shame that there are not better recordings of her playing.

Back to listening to Beethoven's 3rd Piano Concerto and some of the Bach Cantatas.

Stephen Rivele said...

An anonymous person after my own heart. I love the Fourth Piano Concerto by the way. A schema of tragedy.

Anonymous said...

Thank you for the most generous response. You are a very caring person, I believe.

The 4th Piano Concerto is one of my favorites, also. I know I am not as studied in music as you, although, I have the 'deepest' respect for certain classical composers. Particularly one- Beethoven.

Yes, it is impossible to imagine the tragedy of his life, yet, the unimaginable truth and beauty that came from his life, is, too much to comprehend.

A genius so great as Beethoven is very rare. I ask myself- How deep does his music go? Does the deepness almost ever end? What are the feelings of purity of certain pieces of his music? What would feeling that purity be like? How does the piano work, precisely? What feelings should the strings represent, precisely? Etc.

Well, I ask myself a lot more than that about his music, but, I think you see what I am saying.

So much to say, so, hard to write it all out.

So much feeling in Beethoven!

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